{"id":32989,"date":"2025-07-30T20:59:44","date_gmt":"2025-07-30T18:59:44","guid":{"rendered":"https:\/\/kunsthaus-kende.de\/?p=32989"},"modified":"2025-11-12T20:08:56","modified_gmt":"2025-11-12T19:08:56","slug":"paar-sterling-silber-platzteller-wilfried-moll","status":"publish","type":"post","link":"https:\/\/kunsthaus-kende.de\/en\/paar-sterling-silber-platzteller-wilfried-moll\/","title":{"rendered":"A sterling silver pair of dinner plates by Wilfried Moll"},"content":{"rendered":"

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Item number: 60204<\/p>\n

A contemporary pair of sterling silver dinner plates,
\nHamburg 1990 by Wilfried Moll<\/p>\n

Circular shape with wide, smooth rim and a flat centre.
\nA rare pair of two hand-forged sterling silver dinner plates by Wilfried Moll of solid quality, which Robbe & Berking still offers for sale today.<\/p>\n

28.5 cm \/ 11.22″ diameter; 707.9 g \/ 22.75 oz and 716.3 g \/ 23.02 oz<\/p>\n

Wilfried Moll (Hamburg 1940 – 2020 Travem\u00fcnde)<\/h4>\n

As a silversmith and designer, Wilfried Moll was one of the most influential and important artists in post-war Germany, alongside his mentor Andreas Moritz. Wilfried Moll had special ties to the neighbouring country to the north due to his Danish grandfather, he spent his journeyman years in Copenhagen after completing his goldsmith apprenticeship with Walter Franke in Hamburg (1956 – 1959). He became a master student of the important silversmith Andreas Moritz at the Academy of Fine Arts in Nuremberg, with whom he remained associated throughout his life even after completing his training as a silversmith. He then founded his own silversmithy in Hamburg in 1965, which he ran as a joint workshop with his wife Gerda. As an up-and-coming silversmith, Wilfried Moll soon became the focus of public attention. His oeuvre was honoured with the Justus Brinckmann Prize (1971), awards from the Hamburg Chamber of Crafts (1973) and the Hamburg Department of Culture (1978) as well as the Design-plus Prize (Frankfurt a. M. 1984). The early 1980s brought Wilfried Moll his fundamental breakthrough when the Flensburg-based silver factory Robbe & Berking became aware of him. In the years that followed, Robbe & Berking would achieve international significance with the \u2018Alta\u2019 and \u2018Riva\u2019 cutlery series designed by him and later the \u201cSphinx\u201d and \u2018Atlantic\u2019 cutlery series. This was followed by designs for silverware such as candelabras, teapots, tea services and trays. Robbe & Berking’s reputation rises to the luxury segment thanks to Moll’s designs – numerous gourmet restaurants stock silver cutlery and silverware based on his designs. At the same time, Wilfried Moll is invited to hold courses in Kobe and Osaka (Japan), an honour that few Western European artists have ever received in a country that so carefully preserves its own cultural identity. Further prizes and honours followed, including the Bavarian State Prize (1987) and the \u2018Cutlery of the Year\u2019 award in the Netherlands (1991). He is also recognised in Denmark as a corresponding member of the community of silversmiths and designers and was one of the few non-Danes to be awarded the Karl Gustav Hansen Prize in 2003. Today, the following museums hold works by Wilfried Moll: Museum f\u00fcr Kunst und Gewerbe (Hamburg), Kunstgewerbemuseum (Berlin), Germanisches Nationalmuseum (Nuremberg), Koldinghus (Kolding\/Denmark), Victoria & Albert Museum London (Great Britain) and The Museum of Modern Art, MoMA (New York).<\/p>\n

The artistic uniqueness of Wilfried Molls’ silverware<\/h4>\n

Wilfried Moll’s silverware is the almost perfect symbiosis of extreme reduction to the perfect form without any ornamental embellishment. At the same time, he managed like few designers to subordinate the restrained design to the ergonomic requirements of practicality and to perfect it without his work appearing sterile. Under the silversmith Andreas Moritz, he honed his skills to the highest level of precision in his craftsmanship. In doing so, he skilfully avoided adapting the ascetic austerity of form that is sometimes inherent in Andreas Moritz’s silver works. The work of the silversmiths Wolfgang T\u00fcmpel and Karl-Gustav Hansen, with whom he had a long-standing friendship, as well as the works of Georg Jensen and Kai Bojesen, had artistic validity for him. The works of the Bauhaus, reduced to basic stereometric elements – cuboids, spheres and cones – and, last but not least, the works of Japanese silversmiths, whose work he became familiar with on his courses, were also important for Wilfried Moll’s silver work.<\/p>\n

SOLD. PLEASE NOTIFY ME.<\/a><\/div>\n
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